To really appreciate Elis Regina, start with the lowly half-step. It's the penny of the music world — the smallest interval on the piano. Some vocalists treat half-steps as annoying afterthoughts. They smush them together into a blur. Regina's art happens inside the half-steps, in the tiny increments that make up a melody.
When Regina sings, half-steps seem to expand. Partly, that's a reflection of her exacting technique: When she wants to, she can nail the most challenging intervals. At the same time, she's not at all fussy. Her lazy, endlessly sloping phrases magnify the sometimes hidden shades of meaning in a lyric. She's the rare singer who can conjure an ocean of love trouble in the space between C and C-sharp.
Elis Regina: The Feeling Between The Notes
Transcript of the show
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